To publish her Rymes, Renaissance poet Pernette DuGuillet had three challenges: to overcome social restrictions prohibiting women from participating in public rhetoric; to create a female voice within male-dominant literary models; and to escape her role as passive beloved in the work of fellow poet, Maurice Scève.
This paper examines the problem of valuation in Christina Rossetti’s Goblin Market the level of both commodity and poetic representation. Rossetti uses the Eucharist as a figure for pure representation, an impossibility in a world defined via market value.
In three of her works, Mina Loy advocates a new breed of femininity, both rejecting the earlier standards that heavily wrought women in the Victorian and Post-Victorian eras--thus showing what women can offer besides their reproductive and domestic purposes.