In this paper, I argue that Virginia Woolf’s novelistic treatment of the concept of death and her lifelong philosophical preoccupation with textual mourning betray a ‘Derridean’ approach to ‘loss’ some seventy years before the French philosopher started to talk about this topic.
I examine how Woolf conceptualized the crowd as prior to and constitutive of the individual, why her figurations of the crowd in texts such as Mrs. Dalloway rethink subjectivity, and whether they offer space to marginalized collectivities within imagined communities.
Critical vantages on Woolf tend to emphasize either the "inner" life or her political and social interests (the "outer" world). Looking to pervasive moments of misperception in Woolf's fiction, this paper asks why the "inner" and the "outer" worlds are such a poor fit.
This paper offers a reading of To the Lighthouse as an instantiation of Virginia Woolf’s larger project--to write life as a “luminous halo.” I argue, via the work of Deleuze and Guattari, that this sort of writing ultimately abandons the difficulty of binaries through the use of polyphony and polyvision.