In order to speculate on the ways in which sight, sound, and story are carried and dispersed in slave narratives and how these dispersions create a diasporic narrative reliant on ghosts, (re)memory, and individualism as foot print, this paper will unpack the uses of Brand’s palimpsest in Moon.
This paper's argument illustrates that Zakes Mda's Cion explores African and African American understandings of race in order to understand diaspora as a concept that includes movements across time and to insist upon the past, present, and future as simultaneously experienced realms.
In “Platform” Michel Houellebecq opposes sexual tourism in Thailand to the disenchantment experienced in Western societies. His hero tries to reconcile the harsh laws of the free market and his fledgling sexuality. But “homunculus touristicus” cannot escape the ruthless fate that his moral complacency creates.