How does fiction critically reformulate historical discourses? How does it bring postcolonial memory to bear on national history? How does it consecrate a site of memory to moments and experiences that public history has suppressed?
This paper investigates the fuzzy boundaries of “mo‘olelo” (history/histories) versus “local stories” in recent literary and historiographic discussions. It also relates this “academic discourse” to larger public discussions in the past three decades about Hawai‘i, its literature traditions, and multiple histories.
In a text centered around stories of men's escape from home in search of identity, how is female identity formed? Are these women allowed their own stories of identity or is this exploration only a male privilege? In this paper, I will explore the women throughout Auster's text and their role in shaping the male centered identity narrative.