When history comes to be told, thought of, or even imagined, it always confronts fictionalization, even more when this history deals with the split of a “national self” through a civil war.
My presentation deals with Paloma Pedrero's theatrical representations of neo-Nazi juvenile groups that came forth in Spain during the 1990s. My analysis bridges social sciences, philosophy, and literary studies.
Although flamenco is ichnographicaly linked with Spain, the globalization (diaspora) of flamenco affords a new consideration of nationalism. The cult of flamenco creates a pseudo-nation, one that is oriented with the production of an imaginary nationality through the consecration of a geographical and cultural space.