This paper argues that the psychoanalytic theories of Lacan (especially his developmental triad of the imaginary, the symbolic, and the real) are embodied in the figure of Fred Murdock, protagonist of Borges’s story “El etnógrafo.”
El Llano en llamas de Juan Rulfo representa un sistema de carencia y deseo. La carencia se manifiesta a través de las descripciones del paisaje rulfiano y resulta de una castración que se muestra en casi todos los cuentos de Rulfo.
Julio Cortazar’s Cronopios and Famas counters meta-narratives of progress and knowledge through experimental structure, thematic concerns, and deconstructive symbolism. With an absurdist twist, the author’s insertion of meta-fiction questions the seeming obviousness of rationality and the role of the author.
This paper investigates the nature of new consciousness as it is represented in modern fiction through a new archetype of time, which is also a way of perceiving and representing through simultaneous time in Hombres de maíz, Pedro Páramo, and Cien años de soledad.