The narratological transformation in the Zuozhuan of the living into the dead and vice versa is a device used to present the moral quality of the portrayed characters.
This paper explores personal and historical transformation in literature and journalism in the wake of the Chinese Cultural Revolution.
This paper examines the new definition of an ideal human, as well as the new configuration of the relationship between science and state in the 1980s China through reading three stories that involve failed romances between man and robot.