In the absence of the rebellious plebs, particularly in acts two and four, the presence of the servant child, Lucius, keeps the audience mindful of the moral and political duties owed to the most vulnerable members of the commonwealth.
I chart the relationship between political rebellion and creative cartography in 1 Henry IV. Hotspur’s rebellious alliance provides the play’s primary site for cartographic and political transgression, but Falstaff is repeatedly presented in similar terms of cartographic instability.