A look at the origins of the Oberon character in Shakespeare's A Midsummer Night's Dream in both continental romance, particularly Huon de Bordeaux, and a play by Robert Greene. Consideration of these neglected sources yields new insights into Oberon and his companion Puck.
This paper argues that Shakespeare’s King Lear depicts a dual crisis of sovereignty for its monarch. It demonstrates how the consequences of Lear’s initial abdication of power unravel his kingdom and unhinge his mind.
Using Milton's treatise “The Doctrine of Discipline and Divorce” as background, my paper sheds light on the dominance of patriarchal and matriarchal powers over marriage relationships in The Duchess of Malfi and in Coriolanus.