This paper examines Eugenio de Salazar’s use of nautical metaphors in his epic-length poem Navegación del alma (circa 1600), and considers the reasons for which he may have chosen the theme of maritime travel as a suitable allegory for Man’s life on earth.
Las numerosas referencias léxicas al mar contenidas en estas obras de la etapa final cervantina ofrecen un recorrido de profundidad simbólica y experiencia vital posible mediante el motivo del mar como espejo sobre el que la creación artística proyecta el reflejo de la reflexión interior del autor.
Manuel Rivas has been recognized as an important participant in the recuperation of historical Galician memory through his novels and film. Most studies focus on his famous works. This presentation moves beyond these seminal works toward an analysis of lesser known texts such as La mano del emigrante.