This paper will examine the contemporary African American science fiction of Octavia Butler’s Kindred (1979) and Steven Barnes’ Lion’s Blood (2002) which historically reconstructs or re-imagines the African American cultural experience to understand the modern condition of racial and gender power dynamics.
This paper reads Octavia Butler's Xenogenesis trilogy against the discourses of African-American Historiography, Afrofuturism, and Posthumanism, ultimately arguing that her work exemplifies the now-iconic Ghanaian concept of Sankofa--the bird whose head must face the past for the body to fly forward.
Through use of metaphor in “Bloodchild,” Octavia Butler creates a dystopic scenario that references a terrifyingly familiar American past. “Bloodchild”’s futuristic analogy explores the psychology of American slavery, examining the experience of death-bound subjectivity and the machinery of coercion.