Södergran’s response to the Russian Revolution and the Finnish Civil War is examined in selected poems which describe destruction and nationalism as the Russian Empire slips away and new Finnish and Russian states arise.
The red cottage is an iconic symbol in Sweden, used on all sorts of occasions. Not least by national conservative parties as campaign material. This paper look at how the cottage works as a trope and an “invisible fence” within the construction of a broader exclusionary nationalistic ideology.
Considering the assertion that an era’s vampire characters are often an amalgamation of the current sociopolitical and cultural influences, this paper explores how the 2004 novel, Let the Right One In, re-interprets the vampire in relation to Swedish sexual values.