The paper discusses films of immigration in Italy with regards to the themes and the aesthetic, focusing on the specifics of the films Pummaro’ (1990) and Good Morning, Aman (2009), analysed by means of the philosophical and anthropological categories of identity and of metissage.
This paper analyzes the importance and the presence of such a cultural pillar as CALCIO ("soccer") in Italian cinema. How it is rendered in the movies, the actual and the symbolic significance of it, the cameo of players, the artistic relevance of such works.
Come il personaggio interpretato da Tomas Milian è cambiato nel corso degli anni fino a diventare un'icona.