This paper provides a Deleuzean perspective on the interrelations between Ammons’ poetry and American capitalism.
Spicer’s serial poems are often read as postmodern experiments that foreground language rather than personal experience. However, After Lorca draws heavily from everyday epistolary correspondence to expose rhetorical modes of self disclosure, without wholly rejecting the poem's capacity to communicate experience.
Derksen utilizes “The New Sentence” to parody the experience of moving through the marketplace of signs and commoditized information. His poetry presents personal identity as a critical space for mediating the discourses of capitalism.