The buried subject of “Howl” is Ginsberg’s mentally ill mother, Naomi Ginsberg, and the decision to authorize her lobotomy. In “Kaddish,” Ginsberg tells his mother’s story, explores the maternal body, and locates his poetic origins within his mother’s paranoid mind.
Roethke’s ability to transform landscape into lyric arises from a quasi-romantic conviction that any attempt at a poetic reconstruction of the self involves a root-seeking appreciation of the environs of one’s youth.
This paper explores the influence of French symbolist poetry on modern feminist Korean poetry in the early twentieth century by analyzing the work of Kim Myŏng-Sun and her translation of poems by Charles Baudelaire.
Douglas Hofstadter argues that analogy is so central to thought that when analogies fail, the mind itself breaks down. In Vietnam War poetry, metaphor-making is an involuntary, inadequate response to trauma, but often the metaphoric failure helps the poems succeed.