This paper will examine how the 19th-century song "Home, Sweet Home" both formed and performed middle-class sentimentalism about "home" as idealized domestic space. It argues that the song's enduring popularity reflects American anxieties about mobility and rootlessness.
This paper explores a Pacific War Memorial designed for Honolulu (1946-1962). A drive-by, multi-site memorial, it bound Honolulu residents and visitors together through shared experience, while emphasizing the territory's shifting national identity.
Building on Nodelman’s and Zipes’ discussions of the recurrent home/away/home plot in children’s literature, this paper argues that the “home again” ending represents a communal event that can challenge nationalist tendencies even as it appears to reaffirm them.
Robert Browning's "Home-Thoughts, from Abroad" suggests the ironic interplay of homesickness and the poetic condition.