This paper examines Gower’s imagining of English community in the Vox Clamantis. Gower, I argue, appropriates the logic of medieval T-O maps, abjecting the 1381 rebels to constitute a communitarian ideal that is unsettled by the persistence of the abject.
The classic narrative of host desecration ends with the punishment of the Jew and the cultic triumph of the Eucharist. The Croxton Play of the Sacrament diverges from this prototype thus highlighting metaphorical regeneration as seen in the consecration and the final conversion sequence.
Margery Kempe embodies a tension between the lone, ascetic mystic and the curious, communal pilgrim. She is firmly rooted to home and out of place amongst her compatriots, identifying instead with charitable foreigners who are citizens of her "natural country."