An investigation of the spoken discourses encountered by Herman Melville, Joseph Conrad, Robert Louis Stevenson, and Jack London in the South Pacific and how sailor talk, cannibal talk, and missionary talk shaped the action, understanding, and language of their novels.
My paper critiques notions of revenge, justice, and law in Maxwell Philip's 1854 maritime novel, Emmanuel Appadocca, which is the story of a mulatto son’s turn to piracy in his quest for revenge against his white slave-owning father.