I plan to explore what remains concealed in the post-Wittgensteinian philosophical world of Continental philosophy by thinkers who remained infamously silent about their relationship to National Socialism, and who seem attracted to the silences of esoteric literature.
Gaitskill's fiction invites Deleuzian analysis, chiefly the representation of the masochistic dynamic in Coldness and Cruelty. This paper situates the fictional exploration of S&M as being at the centre of the response to social and cultural concerns regarding the (re)construction of female identity.
This presentation argues that art’s ability to take on religious functions stems from its ability, unique in human discourse, to make room for silence. The work of art has the unique ability to imitate the silence of nature in a human-made object.