Unlike Dante’s addresses to the reader in the Comedy, Boccaccio’s authorial interventions in the Decameron have rarely been considered collectively, but this paper argues that these interventions constitute an equally decisive chapter in the development of Italian literary culture.
This paper aims to explore the erotic and parodic patterns in Italian Renaissance erotic literature, particular in terms of the mutual indebtedness and reading strategies employed. Literary palimpsests are particularly discernable in this literature’s attempts to subvert and question power relations.
Although the pose and demeanor of the model initially attract the gaze of the viewer, the book becomes the essential point of analysis, prompting the viewer to ponder Battiferra’s exchange of poems with her portraitist and other poets of her circle.
In my paper I intend to address the question of Italian national identity formation in XIX century historical novels, which display elements of medievalism and, I argue, can be analyzed from the point of view of children's literature.