This paper argues that literary critics should engage with metaethical views about the nature of moral language to gain insight into what is "ethical" about "ethical criticism," especially by adopting a virtue-theoretic approach that emphasizes the centrality of "character" in literary judgment.
Touching lightly, rather than delimit or expel, “lines on water” performs transdisciplinary narratives. Neither one tale nor two, a wriggling entanglement, the floating lines dive through conversations ‘about’ disciplines to drift among the coral reefs’ sensual, conceptual contours.
Since Plato, aesthetics has operated as a primarily philosophical doctrine that takes “art” as its object. I propose a way to think art and literature by means of the works of art themselves. Further, I suggest that the very philosophy that claims to “know” art is itself a work of art.