This paper is part teaching case study, part literary analysis. It examines how L. Frank Baum’s rebellious, adventurous, desiring heroine challenges students’ conceptions of nostalgia as a longing for an idealized past.
This paper asserts that the appeal of the novella, the film, and the poster for Breakfast at Tiffany’s rests upon an unconscious nostalgia for a child’s misapprehension of adult sexuality, and a desire to embody the phantasmal desires embodied in playing dress-up.
Artist Jack Smith’s veneration in prose and film of 1940s film actress Maria Montez (Cobra Woman) reveals that within the camp sensibility lies a nostalgic desire for an invented world, an impossible past, where a queer community could recover a homeland unavailable in the unaccepting reality of 20th century America.