My Year of Meats combines road-story and muckraking journalism. In it, a film crew crosses the U.S. looking for “authentic” food and “wholesome” housewives. I explore the novel's structural parallels to the local/global economy and the modern context of food consumption and production.
This paper examines sushi as a symbol of border transcendence which crosses cultural, linguistic and socioeconomic landscapes. Sushi, as it has been transformed in America (particularly in California), serves as both a window into and a barrier against understanding Japanese culture.
This paper explores how endocrinologist and statesman of the Spanish Second Republic (1931-1939) Gregorio Marañón uses the cuisine of Basque chef Nicolasa Pradera to re-package the components that comprise Spain’s “authenticity,” and to promote Spain’s integration into Europe as a modern nation.
This paper examines how the intersections of shifting American class tastes and anxieties and fantasies of globalization produce a culinary tourist narrative through the televisual in Anthony Bourdain’s No Reservations.