This paper analyzes the films Y tu mamá también and Diarios de motocicleta in light of the Latin American Bildungsroman. The films include an adaptation of a memoir and showcase the role of travel in the formation of the self, as well as the relationship within and between narrative and film genres.
This presentation will analyze the use of the documentary genre as a form of social critique in two recent films that depict the harsh realities of the Salvadoran gangs known as the Maras.
Two Hollywood movies set in Japan were released in 2003. Unlike American critics, Japanese applauded the Last Samurai, while overlooking Lost in Translation. What were the reasons for reactions and what do they tell us about early 21st century Japan?