This paper will attempt to elaborate an ethics of difference through race mixture, in part through an analysis of Colson Whitehead’s 2009 novel Sag Harbor.
Looking at Native American multiracials, this paper will attempt to trace a workable theory of multiraciality in which the particularities of micro-political, material, and historical moments of racial and cultural mixing are recognized.
Using a discourse analysis of Sci-Fi/Fantasy texts, this paper problematizes how mixed-race hybridity is figured, portrayed and fetishized in these narratives, viewing this recurring trope as ambivalent and fraught, caught between increased mixed-race representation and a reification of “intimate privilege”.
This paper unveils the plural and contradictory genealogies of mixed-race metaphors by engaging with activist-intellectuals who condemn the bad faith of ‘slimy subjects’ and neoliberal multiculturalism.