Comparing Swift and Mandeville as literary writers offers a representative sample of opposing responses to emergent interpretative practices in 1710/1711. This paper argues for Mandeville’s literariness and suggests how each writer is representative of his respective religious and political cadre.
This paper challenges the assertion that Sarah Scott’s Millenium Hall depicts a utopian community for dispossessed women, instead arguing that Michel Foucault’s definition of heterotopia is a more accurate term for considering how Millenium Hall is linked to patriarchal structures.
It is intriguing that the ocean is present, implicitly or explicitly, in all of Jane Austen's novels. Depending on gender and social station, the symbolism of the seashore in Jane Austen appears to differ according to separate novelistic contexts to be either a help or a hindrance.