This paper examines medical treatises and witchcraft trials alongside an exploration of The Witch of Edmonton, arguing that witches--as well as their crimes--were cultural constructions shaped by the early modern fear of poverty and post-menopause.
Julian of Norwich's presentation of Jesus as Mother has typically been viewed as a feminizing of Christ, rather than a presentation of his alchemic and hermaphroditic nature. This paper looks at how this transgendering of Jesus functions within Julian's queer logocentrism.
This paper looks at how spaces and sexuality work in Spenser's Faerie Queene. Focusing on spaces from Book II, III, and IV, I provide a reading of the Faerie Queene that goes towards a theory of gender and space.