This paper examines medical treatises and witchcraft trials alongside an exploration of The Witch of Edmonton, arguing that witches--as well as their crimes--were cultural constructions shaped by the early modern fear of poverty and post-menopause.
Julian of Norwich's presentation of Jesus as Mother has typically been viewed as a feminizing of Christ, rather than a presentation of his alchemic and hermaphroditic nature. This paper looks at how this transgendering of Jesus functions within Julian's queer logocentrism.