This paper will explore representations of Islam in contemporary popular literature, in order to ask whether recent images of Islam have moved beyond Orientalism. Does a questioning of binary thinking alone constitute progress, or is Islam becoming a new Western commodity?
Salman Rushdie’s The Satanic Verses highlights the impossibility of taking verbal control of the self and of situating oneself in language. Rushdie’s allusion to Samuel Beckett’s Not I shows that voices in language dissolve stable notions of self and prevents singular authorship of the self.
The aim of this paper is to demonstrate a case of the construction of “Japan” by a Russian writer using an American text and to show the intertextual nature of the representation of the national.