My paper discusses the topic of integration of African immigrants in Italian society through Comencini’s film White and Black (2008) and Mazzacurati’s film The Right Distance (2007).
This paper assesses the first full-length feature film by director Matteo Garrone, and highlights the peculiar and innovative stylistic elements that subsequently find major expression in the director's acclaimed film Gomorra.
This paper looks at recent films that deal with the problem of immigration vis-à-vis the ineffective, progressively stricter laws that have been passed in the past ten years.