If the violence of hegemony is linguistic as well as material, the form of the critic’s response matters. This paper argues that Wittgenstein and Spivak provide two productively different and complementary rhetorics for challenging epistemic violence.
Joseph Conrad, Boris Savinkov, and Liam O’Flaherty adapt the Gothic as a literary vehicle by ironically invoking the Burkean sublime to expose their own culture’s anxiety, and desire, for sensational stories on terrorism, particularly in print media.
The Hawaiian tales of Jack London and Haruki Murakami reveal double meanings of the isolated islands having militaristic significance as well as inspiring our romantic imagination in the modern context.
The presentation will use a framework derived from both tourist and mobility studies to examine how "insider/outsider" dymanics are constructed within and by the performances in the plays of Alani Apio and Victoria Nalani Kneubuhl.