As stated in his autobiography, Williams is decidedly non-white. His cultural, racial, and even linguistic negotiations can be seen in the context of play, conscious compromise, and even unconscious confusion evident in his autobiography as well as in his poems, “Adam” and “Eve.”
This paper analyzes the way that Marjane Satrapi portrays both Iran and the West in her autobiographical series, Persepolis, concluding that the works provide a holistic and insightful account of contemporary Iran, one that is contradictorily oppressive and progressive at the same time.
This paper focuses on Colby Buzzell’s My War: Killing Time in Iraq, and argues that milblogging demonstrates how censorship over narration affects the production of service members’ deployment narratives. Milblogging challenges our expectations about individual memory and autobiographical discourse.
Introduces the type, focusing on its beginnings in nineteenth-century French and English literature.