In the oeuvre of both respective poets, simple diction and quotidian subjects are present, which allows them to communicate their subjects with concrete, objective words that convey an image that is subjective—or an image that is beyond words.
This study argues that the Zainichi writer Chung Eui Shin has been accepted and highly appreciated in Japan because he focuses on general issues of Japanese society, such as the alienation of human beings and the dissolution of community, instead of declaring the historical distinctiveness of the Zainichi people.
This paper will consider representations of Hong Kong in David T.K. Wong’s Hong Kong Stories (1996); making use in part of student surveys, it will compare readings of stories at the time of the collection’s publication with those of today, fourteen-years later.