‘The Narrative of Arthur Gordon Pym,’ Poe’s only novel-length fiction, appears to expel all things female, yet I argue for the pervasiveness of what I have termed the ‘seafaring feminine,’ culminating in a new reading of the much-debated ending.
Places Melville's Battle-Pieces in the over 2500-year trajectory of the "battle-piece," a mode of representing battles in history and the arts.
This paper argues that by attending to Moby-Dick’s relationship to the 19th-century stage—and particularly to the theatre’s “star system”—we can better understand the book’s nuanced attitude toward the contemporary practice of representative democracy.