Catharine Sedgwick’s sketch “Leisure-Hours at Saratoga” bares the virtues of democratic society while replying to Harriet Martineau’s criticism of America. Examining “Leisure-Hours” as part of a transatlantic dialogue, the paper explores how Sedgwick imagines American society to British audiences.
This paper examines the multitude of genres in Uncle Tom's Cabin, from sentimental and Gothic fiction to slave narratives, religious sermons, and political tracts, to demonstrate how Stowe assembles a hybrid coalition of genres to present a variegated and comprehensive argument against slavery.
I examine the politics of placing the 1848 autobiography The Life of Okah Tubbee within the African-American literary tradition.