This presentation situates the detective fiction of Chester Himes in the context of the inner-city riots of the 1960s and the contemporaneous sociological studies of so-called “black underclass” cultural pathology.
Island crime stories illuminate detective thematics such as boundary, surveillance, and instrumentalism. With recourse to pretexts ranging from Shakespeare’s The Tempest to Biggers’s The House Without A Key, I analyze Hawaii Five-0, a police series that represents the apex of insular detection.
Investigates recent revivifications of Frankenstein’s monster, paired with an American detective, in serialized narratives concerning the end of the world: Dean Koontz’s multi-novel Frankenstein (2005-), Tim Kring’s Heroes (2006-2010), Josh Friedman’s The Sarah Connor Chronicles (2008-9), and Joss Whedon’s Dollhouse (2009-10).