Tarkovsky’s Terrain Vague: Nomadic Subjectivity and Interspecies Utterance in Solaris and Stalker
Abstract:
This paper considers the nomadic subject in relation to the encounter of human and non-human characters in Tarkovsky’s films Solaris and Stalker. A dialog of becoming emerges from the margins, shifting expectations for memory and communion, evoking a semantics of multiplicity.
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