Fatality of Femininity: Rita Hayworth

Abstract: 

The femme fatale of the post-war film noir period projects a new type of sexuality and gender role that has otherwise not been provided by previous films. This will be examined through Rita Hayworth’s performance in two classic film noir films in the late 40s, Gilda (1946) and The Lady From Shanghai (1948).

Presenter Information
First Name: 
Neidy
Last Name: 
Ayala
Institution: 
Brigham Young University